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Harrison Birtwistle – Silbury Air & Secret Theatre
Seen from a distance the hill presents itself as an artificial but organic intruder on the landscape. With so much argument crammed into so relatively short a span, it is a work that cries out for early repetition. Written in and revised init takes as its inspiration the prehistoric mound of Silbury Hill in Wiltshirewith its connotations of the spiritual and mysterious: Views Read Edit View history.
Silbury Air is named after Silbury Hill, a prehistoric mound in Wiltshire, the biggest artificial mound in Europe, being feet high and covering more than five acres. Compositions by Harrison Birtwistle compositions.
Its use and purpose, after centuries of speculation, still remain a mystery. A performance lasts around sixteen minutes.
Sir Harrison Birtwistle Silbury Air. Some Petals from my Twickenham Herbarium. The measured period, the blocks of sound, the processional intensity all make for instant identification, a composer who goes his own way relentlessly and in his own time. Silbury Air Year of composition: Birtwistle has stated that the piece follows a strict logical pattern, but chooses not to disclose what that is, much as Silbury Hill has never revealed its purpose to archaeologists.
Sir Harrison Birtwistle Instrumentation: VAT plus shipping costs. Retrieved from ” https: These objects themselves being subjected to a vigorous invented logic via modes of juxtaposition, modes of repetition, modes of change.
The music of the Air is not in any way meant to be a romantic reflection of the hill’s enigmatic location — nor a parallel with any of its evident geometry. However the mood of the piece is not contemplative. Silbury Air is a musical composition for chamber ensemble by the English composer Sir Harrison Birtwistle. You will regularly receive information about new scores with free downloads, current prize games and news about our composers.
Dedicated to the memory of Serge and Natalie Koussevitzsky. This page was last edited on 21 Juneat The result is dramatic and immediately exciting, contradicting in its vitality the idea of static blocks of sound on which Birtwistle has usually relied, but equally showing the firmest possible architectural sense, with each section relating naturally and satisfyingly to the rest.
In the second half the “Air” of the title emerges on the flutebefore moving to the woodwindat a tempo independent of the pulse of the rest of the ensemble.
Silbury Air – Wikipedia
It is described by the composer as “a compound artificial landscape or ‘imaginary landscape’, to use Paul Klee’s title Compositions by Harrison Birtwistle. I have read the data protection statement and agree to its validity.
Sign up for our newsletter! Four chords on the harp bring the work to a conclusion.
Silbury Air (Orchestra)
From Wikipedia, the free encyclopedia. His latest work, Silbury Air, given its first performance by the London Sinfonietta under Elgar Howarth, is another is his sequence of landscape works, but it presents a striking new development.