Among the few truly experimental composers in our cultural history, Harry Partch’s life (–) and music embody most completely the quintessential . Original preface to “Genesis of a Music” Harry Partch Foundation To promote a youthful vitality in music we must have students who will question every idea. Genesis of a music: an account of a creative work, its roots and its fulfillments. Front Cover. Harry Partch. Da Capo Press, – Music – pages.
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kusic It belongs to those who accept the forms of a past day without scrutinizing them in the light of new and ever-changing technological and sociological situations, in the light of the interests that stand to profit by the status quo, and in the light of their own individualities, this time and this place. String and voice instruments and their notations — See 1 question about Genesis of a Music…. There are no discussion topics on this book yet. Advanced Search Find a Library.
Genesis of a music: Joshua rated it really liked it Mar 10, The work is not offered as a basis for a substitute tyranny, the grooving of music and musical theory into another set of conventions.
Among the few truly experimental composers in our cultural history, Harry Partch’s life — and music embody most completely the quintessential American rootlessness, isolation, pre-civilized cult of experience, and dichotomy of practical invention and transcendental visions.
WorldCat is the world’s largest library catalog, helping you find library materials online. Jon Roy rated it it was amazing Feb 08, Find a copy in the library Finding libraries that hold this item Omoi Augustine rated it it was amazing May 18, Jan 25, Mick Bordet rated it really liked it. The resources of monophony: Two stars only because I didn’t understand what the hell was going on. Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yours.
Preview this item Preview this item. Good grades in school are the result of a less commendable ability, and no aspect of the musical scene could be more depressing than the prospect that those with the ability to get good grades in school, to copy others, to absorb and apply traditions with facility, shall hold the fort of “good” music.
I’ve just ordered a copy of Partch’s book and would enjoy a discussion once I’ve marked it as ‘read’. Harry Partch’s Genesis of a Music is therefore invaluable, dealing as it does in detail with the composer’s inventions of microtonal musical instruments and his compositional method using a tone scale. In particular, Partch holds Johann Sebastian Bach responsible for “the movement toward equal-tempered tuning, which meant that composers could not absorb the scales of other world traditions; and the urge to make music ever more instrumental and abstract.
American Mavericks: Genesis of a Music Preface
Paperbackpages. Consequently, what the book contains of history and comparative analyses is presented to clarify the bases of present-day practice and of possible expansion in the future, and not as a basic factor in the evolution of this theory and its application, except in the most general sense. To ask other readers questions about Genesis of a Musicplease sign up.
He composed using scales of unequal intervals in just intonation, and was one of the first genessis composers in the West to work systematically with microtonal scales. As this come straight after he has described his own means of dealing with the issue, it seems rather redundant.
Anyone with a musically creative attitude, whether or not familiar with traditional music theory, will find this book revelatory. Musical creators have been, and are, the exponents and the victims of system, philosophy, and attitude, determined for them by textbooks and classrooms, and by the atmosphere in which they grow; in yarry, by their milieu.
Traditions remain undisturbed, uninvestigated, and therefore a culture of music based upon such palpably noble precepts is already senile. Home About Help Search.
Parts II, III, and IV explain Partch’s theories of scales, intonation, and instrument construction with copious acoustical and mathematical documentation.
Then again, I guess my Philistine ears can’t appreciate ov beauty of the tone scale and the limit just intonation. Refresh and try again. Linked Data More info about Linked Data. Nevertheless when it comes to American composers, Partch’s work remains arguably well within the labels “obscure” and “quirky,” but I would argue, at times certainly also joyful and occasionally rather transcendent, like this book.
He contrasts Abstract and Corporeal music, proclaiming the latter as the vital, emotionally tactile form derived from the spoken word like Greek, Chinese, Arabic, and Indian musics and surveys the history x world music at length from this perspective. Still, the book is a valuable tool in trying to understand is music, and aids in Microreview: Views Read Edit View history.
Create lists, bibliographies and reviews: Koven rated it really liked it Jan 17, Having lived mostly in the remote deserts of Arizona and New Mexico with no access to formal training, Partch naturally created theatrical ritualistic works incorporating Indian chants, Japanese kabuki and Noh, Polynesian microtones, Balinese gamelan, Greek tragedy, dance, mime, and sardonic commentary on Hollywood and commercial pop music of modern civilization.
Genesis of a Music
David Keffer rated it it was amazing May 13, But modernity itself held no joy for him. Partch’s partial use of found objects for building musical instruments had antecedents in many climes, however his mhsic scheme of emulating Greek musical theater to a visceral extent he used the term “corporeal” for an all-encompassing stage experience combining visual and aural components seems to me very unique, at least among American composers.
No trivia or quizzes yet. I ended up skimming over a lot of the geneiss chapters. Implicit in the man-made part of the musical art are 1 an attitude toward one’s. Your request to send this item has been completed. Search WorldCat Find items in libraries near you.