Este livro, ‘Pivetes- Encontros entre a psicologia e o judiciário’ busca dar visibilidade a algumas práticas que tentam fugir dos territórios e modelos endurecidos. Manuppella, O “Livro de Cozinha” da Infanta D. Maria de Portugal, lxiii–lxvi. Receptas de pivetes, pastilhas e vvas perfumadas y conserbas, BNE MS Audio Livros – Playlist. 1 video Play all. Play now · Alta performance! – Playlist. 9 videos Play all. Play now · INSTRUÇÃO PARA PIVETES – Playlist. 2 videos Play .
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Making this recipe from Providence with materials brought from California by Amazon or acquired in New York obviously involves an approach completely distant from both the proximity to materials and the affective process involved in these recipes.
Tratado de muchas medicinas o curiosidades de las mujeres by the veterinarian! All these books included a mixture of cooking, medicinal, hygienic and cosmetic recipes without any separation, both in terms of their display on the page and in terms of the ingredients used for all these different areas, which often coincided. Also, she has memory issues and she does not remember all the steps.
Xabón almizcado | Making Meaning: Extracting Knowledge from Matter in Early Modern Europe
What relationship is established with matter when one reads about its handling, or is the spectator of its handling, but never actually manipulates it?
She is going to make it again today, and my hope is that her embodied knowledge will be stronger than her memory. The establishment of the court attracted a wave of architects, plotters, quarry workers, joiners, bricklayers, sculptors and many other laborers involved in a process of accumulation, demolition and assemblage. What message, if any, are the hands of the Fabrica trying to convey? I use mine to carefully turn the pages and compulsively scan all the hands in the book.
And you should mix this very well in a stone mortar with a wooden pestle.
The authorship of all these manuscripts is unknown, but there are at least three different handwritings in each of them in manuscript there are even two languages, Portuguese and Spanishas if they were passed on from generation to generation. Also, she has memory issues and she does not remember all the steps. For these women, sharing these recipes in written form seems inseparable from memory and affect. She does not keep a written recipe, however. I do some more research and find that, apparently, the flexor-muscle dissection developed into a whole motif, used emblematically in early seventeenth-century anatomy portraits, making the hand agent, instrument and patient of the demonstratio.
Xabón almizcado
I look at this illustration exhibiting the abundance of dissection instruments and my hand instinctively moves as if ready to grab one of them, but all I have with me is my reading weight. Y mezclarlo heis todo muy bien en un mortero de piedra con la mano de fusta. Some pages are left blank in between recipes, as if to encourage further annotations prompted by the experience of each new practitioner. As careful as I have tried to be with my translation, I feel that, even if linguistically this is the most approximate version, the triple textual translation has probably entailed a material distortion.
Calatayud is perfectly aware that he is only putting in writing the knowledge that they already have.
On a table crowded with writing and dissecting utensils, Vesalius holds the arm of a corpse as the entrypoint to his anatomical study, with his left hand firmly grasping the elbow and his right hand holding the falling veins I thinkwhich uncannily blurs the limit between the instrumental hand and the studied one.
Calatayud is perfectly aware that he is only puvetes in writing the knowledge that they already have.
I wonder if this emphasis on the hand is exclusively a Vesalius thing or a common obsession in anatomical books, so I try google and soon find the portrait of the anatomist Giulio Casserioalso stressing his own dexterous manipulation of bodily matter by posing rummaging under the skin of a disembodied hand. While staring statically as these objects, I experience a sense of movement as I adjust each object to discover new landscapes and pathways.
Are they asking me to engage with this book in the same way they engage with all that crumbling bodily matter? However, I realize that what I am going to do is probably not a reconstruction but an interpretation. After our last class I read a little bit more about the controversy between Hooke and Cavendish. Even when their skin, veins, and muscle are collapsing they seem to be actively engaging with the mess — exposing, grabbing, stretching or holding it.
I have grown up seeing her fabricate her own white soap, which she learnt from her mother, and her mother form hers. I started by looking for Spanish domestic recipe books of the period, and what I first found were manuscripts authored by men addressing a female public, like the Flor del Tesoro de la Belleza.
These ingredients seem to be materials that these women used precisely because they were readily available: I chose this recipe because it includes a set of materials that are very often used in many of these recipes, but also because the same recipe can be found in two of these books manuscript and Manual de mugereswhich makes me think that it was widely known.
Take half an ounze of storax, and an ounze of liquid benzoin and one quarter of an ounze of green sandalwood.
I decided to take the recipe assignment as an opportunity to explore how early modern women engaged with materials around them, and the ways in which they transmitted and preserved the knowledge acquired in their domestic labor. Should they be liquid, solid, powder? For these women, sharing these recipes in written form seems inseparable from memory and affect.
Ediciones Universidad de Salamanca, ]. Take half an ounze ;ivetes storax, and an ounze of liquid benzoin and one quarter of an ounze of green sandalwood. Should they be pivefes, solid, powder?
Marcador de livro Dom Quixote | A Caricaturas 7 | Pinterest
I also found some small pieces written in between recipes referring to domestic events, like this note detailing the date and cause of death of a female family member or friend.
I have grown up seeing her fabricate her own white soap, which she learnt from her mother, and her mother form hers. While obviously they are livroo different objects, they both present some sort of geography, as if I was staring at two tortuous natural and artificial landscapes from above.
pivftes
If I were to continue exploring this reflection based on exaggerating Vesalius I would want to explore further the strange simultaneity of contemplation and labor. White soap and my grandmother One of the ingredients listed in this recipe is white soap.
It probably is something quite different. I read that some parts of the ligro were shortened while livrro were expanded, depending on the interest of their readers. I started by pivetex for Spanish domestic recipe books of the period, and what I first found were manuscripts authored livr men addressing a female public, like the Flor del Tesoro de la Belleza. Even technical manuals sometimes seem to depart from an instrumental aim, forgetting oivetes a while about results and fixating on the act of manipulation itself.
Since Philip II of Spain moved the court to Madrid inall sorts of artistic productions were commissioned to promote a monumental, orderly and symbolic image of the new capital, but I am more interested in the frenzied process of construction that was behind that image. I then had to translate the ingredients I thought the recipe was referring to into English, so that I could actually find them here in Providence. The ingredients I was able to get most of these ingredients thanks to Amazon, and I am planning to get what I still need this weekend in New York even the deer marrow.
I was able to get most of these ingredients thanks to Amazon, and I am planning to get what I pivetee need this weekend in New York even the deer marrow. I feel that just buying the soap would be a further betrayal, so I have decided to fabricate my own.